Photography

My work in photography began in 2001, when I first picked up an Olympus and discovered the art of freezing moments that refuse to stand still. Today I shoot on the Canon 60D, chasing the rhythm of real life wherever it moves.

Over the years, I’ve captured children racing across sunlit fields, families pausing between heartbeats for portraits, and communities gathering in moments both loud and quiet. But it’s on the edge of a stage—face lit by LEDs, body thrumming with bass—where my true passion found its home.

Since 2006, I’ve specialized in live band photography, working in darkness punctured by strobes, watching musicians transform sound into motion. My goal is simple: to make an image feel like the music itself—raw, electric, alive.

Whether shooting on a crowded stage or at intimate local venues, I aim to create photographs that feel alive and immersive. 

Videography

I’ve been filming live music performances since 2006, expanding my creative work into motion to complement my photography. My experience ranges from multi-angle coverage of concerts to the creation of a select number of music videos, where I’ve handled both shooting and editing.

I started out shooting with a Sony 8mm video camera, transitioning to my Canon 60D, For post-production, I edit using Vegas Video and Adobe Premiere, focusing on clean cuts, dynamic pacing, and visually driven storytelling.

My videography style is heavily influenced by the live-music environment—capturing not just the performance but the atmosphere, audience energy, and mood of the event. Whether producing a full music video or documenting a concert, I aim for emotionally engaging, rhythmically edited work that feels true to the artist’s sound.

In 2006, my creative vision expanded from stillness into motion. Since then, I’ve been filming the pulse of live music, capturing not just performance but atmosphere—the intimacy, the chaos, the heat of the crowd.

Starting with a Sony 8mm video camera in 2001, and transitioning to my trusted Canon 60D in 2012, I move where the story leads—backstage, front-of-house, or shoulder-to-shoulder in the audience. 

I aim to create visuals that feel immersive, cinematic, and true to the sound they carry.